If you read the blog post that ran right before THIS post, you’ll see that my website has had a bit of an identity crisis. So be it.
I’ve used this space for a variety of things, but as my creative direction has changed and mutated in the last couple of years, it became obvious to me that I needed a place to post my work in the visual arts, installation art, sound sculptures, multi-media art, and multidisciplinary work.
This site started off showcasing my work in audio–sound design, original music, audio art and more. I haven’t ditched my audio work, but my focus has been more on visual, installation, and multi-media work in the last two years.
The only way to be a working artist is to create work on a regular basis, try to find the people who it speaks to, and build a relationship with a potential audience or group of patrons. I’m fortunate that my subsistence income is freelance, writing/editing-based, and completely divorced from typical 9-5 routines. I have found a great balance between my paying work and my creative work. Many times the two start to blur together, but I find that money is a typical struggle for most of the artists I know, so I’m likely never to give up my writing. That said, I have found a way to devote a large amount of time to my work (who needs sleep?) without shortchanging my writing.
All this written here is either a good introduction to my world and work or it’s fairly self-indulgent. Maybe both. Probably both. But as someone who devotes a large amount of time daily to the arts, the artist statement is something I like to embrace rather than shy away from. So yeah, manifestos, statements of intent, rants, screeds, written commentary/critique is a way of life for me–it’s my writer damage.
Some of my fellow artists have a tough time with the artist statement–they rightfully feel it’s a minefield fraught with danger–you come off looking like a self-important jackass, a clueless navel gazer, or an overly conceptual pie-in-the-sky thinker if you’re not careful with your writing. But these things are very important if for no other reason that to help your potential audience, patrons, fan base or whatever form of public awareness you are after understand what it is you’re about.
Hell, maybe I should hire myself out to people to craft their artist statements. I think I’m pretty good at cutting out the pretentious bullshit and getting to the heart of the matter. I believe in the Gospel According to Strunk And White: “Omit needless words”.
Do drop me a line if you want to hire me to help you with your artist statement, bio, show catalog, etc. I can give you an artist-friendly quote–I am at firstname.lastname@example.org. My only caveat is that I will be both fair AND honest. I will tell you if your approach sounds too high-minded, or not high-minded enough. I will tell you that the ten dollar words in your artist statement alienate the reader, but I will also point out everything you’re doing right and should be doing more of–honesty is the best policy.
End of shameless plug for more writing work.
So consider this long winding blog post as a statement of intent. My work takes many forms–I do video installation and collage that appears on YouTube and in my gallery shows, I have strayed into illustration that some might accuse of being political cartooning, I create dreamlike and nightmarish landscapes with charcoal and pastel, Steadman-inspired splattery ink landscapes, and strange semi-architectural fever dreams on watercolor paper. All of these things will find a permanent home on this site. Most of the completed work is for sale, unless otherwise indicated, as originals and/or prints.
This site will grow exponentially in the coming days. If you need to contact me about anything at all, do drop an email to me at email@example.com.
Thanks for reading.